“Finally, a word about the style of this work. There is no denying that Owen is heavy and hard to read. This is not so much due to obscure arrangement as to two other factors. The first is his lumbering literary gait. “Owen travels through it (his subject) with the elephant’s grace and solid step, if sometimes also with his ungainly motion.” says Thomson. That puts it kindly. Much of Owen’s prose reads like a roughly-dashed-off translation of a piece of thinking done in Ciceronian Latin. It has, no doubt, a certain clumsy dignity; so has Stonehenge; but it is trying to the reader to have to go over sentences two or three times to see their meaning, and this necessity makes it much harder to follow an argument. The present writer, however, has found that the hard places in Owen usually come out as soon as one reads them aloud. The second obscuring factor is Owen’s austerity as an expositor. He has a lordly disdain for broad introductions which ease the mind gently into a subject, and for comprehensive summaries which gather up scattered points into a small space. He obviously carries the whole of his design in his head, and expects his readers to do the same. Nor are his chapter divisions reliable pointers to the structure of his discourse, for though a change of subject is usually marked by a chapter division, Owen often starts a new chapter where there is no break in the thought at all. Nor is he concerned about literary proportions; the space given to a topic is determined by its intrinsic complexity rather than its relative importance, and the reader is left to work out what is basic and what is secondary by noting how things link together. The reader will probably find it helpful to use a pencil and paper in his study of the book and jot down the progress of the exposition; and it is hoped that the subjoined Analysis will also be of service in helping him keep his bearings.
We would conclude by repeating that the reward to be reaped from studying Owen is worth all the labour involved, and by making the following observations for the student’s guidance. (1.) It is important to start with the epistle “To the Reader,” for there Owen indicates in short compass what he is trying to do, and why. (2.) It is important to read the treatise as a whole, in the order in which it stands, and not to jump into parts III. and IV. before mastering the contents of Parts I. and II., where the biblical foundations of Owen’s whole position are laid. (3.) It is hardly possible to grasp the strength and cogency of this massive statement on a first reading. The work must be read and re-read to be appreciated” (J.I. Packer’s Introductory essay to John Owen’s Death of Death).